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The Social History of Smoking

George Latimer Apperson

Chapter 10:

The earliest example of the use of a wooden pipe I have met with is dated 1765—but this was not in England. Many years ago the late Mr. A.J. Munby pointed out that Smollett, in one of his letters dated March 18, 1765, giving an account of his journey from Nice to Turin, describes how he ascended "the mountain Brovis," and on the top thereof met a Quixotic figure, whom he thus pictures: "He was very tall, meagre, and yellow, with a long hooked nose and twinkling eyes. His head was cased in a woollen nightcap, over which he wore a flapped hat; he had a silk handkerchief about his neck, and his mouth was furnished with a short wooden pipe, from which he discharged wreathing clouds of tobacco-smoke." This scarecrow turned out to be an Italian marquis; and no doubt the singularity of his smoking apparatus was of a piece with the singularity of his attire.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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